Educational guide | ||||||||||||||||||||||||||||||||||||||||
IDENTIFYING DATA | 2023_24 | |||||||||||||||||||||||||||||||||||||||
Subject | Body expression and dance. | Code | 01402021 | |||||||||||||||||||||||||||||||||||||
Study programme |
|
|||||||||||||||||||||||||||||||||||||||
Descriptors | Credit. | Type | Year | Period | ||||||||||||||||||||||||||||||||||||
7.5 | Compulsory | Second | Annual |
|||||||||||||||||||||||||||||||||||||
Language |
|
|||||||||||||||||||||||||||||||||||||||
Prerequisites | ||||||||||||||||||||||||||||||||||||||||
Department | EDUCACION FISICA Y DEPORTIVA |
|||||||||||||||||||||||||||||||||||||||
Coordinador |
|
mpbrop@unileon.es mtgoma@unileon.es |
||||||||||||||||||||||||||||||||||||||
Lecturers |
|
|||||||||||||||||||||||||||||||||||||||
Web | http:// | |||||||||||||||||||||||||||||||||||||||
General description | The relationship between the body education and expressive arts activities. The body and movement as expression, communication and creation elements. | |||||||||||||||||||||||||||||||||||||||
Tribunales de Revisión |
|
|||||||||||||||||||||||||||||||||||||||
Competencias |
Code | |
A4249 | |
A4292 | |
A4343 | |
A4402 | |
A4403 | |
A4407 | |
A4434 | |
A4476 | |
A4502 | |
B461 | |
B462 | |
B469 | |
B470 | |
B478 | |
B492 | |
B494 | |
B495 | |
B504 | |
C1 | CMECES1 That students have demonstrated possession and understanding of knowledge in an area of study that is based on general secondary education, and is usually found at a level that, although supported by advanced textbooks, also includes some aspects that involve knowledge from the cutting edge of their field of study |
C2 | CMECES2 That students know how to apply their knowledge to their work or vocation in a professional manner and possess the skills that are usually demonstrated through the development and defense of arguments and the resolution of problems within their area of study. |
C3 | CMECES3 That students have the ability to gather and interpret relevant data (normally within their area of study) to make judgments that include reflection on relevant issues of a social, scientific or ethical nature. |
C4 | CMECES4 That students can transmit information, ideas, problems and solutions to both a specialised and non-specialised audience |
C5 | CMECES5 That students have developed those learning skills necessary to undertake further studies with a high degree of autonomy |
Learning aims |
Competences | |||
A4343 A4402 A4403 A4407 A4502 |
B461 B492 B494 B504 |
C1 C2 C3 C4 C5 |
|
A4343 A4402 A4403 A4407 A4476 A4502 |
B461 B462 B469 B494 B504 |
C1 C2 C3 C4 C5 |
|
A4249 A4292 A4402 A4403 A4476 A4502 |
B461 B462 B469 B470 B478 B494 B504 |
C1 C2 C3 C4 C5 |
|
A4407 A4434 A4476 A4502 |
B478 B494 B495 B504 |
C1 C2 C3 C4 C5 |
Contents |
Topic | Sub-topic |
Planning |
Methodologies :: Tests | |||||||||
Class hours | Hours outside the classroom | Total hours | |||||||
Personal tuition | 6 | 8.5 | 14.5 | ||||||
Lecture | 0 | 80 | 80 | ||||||
Mixed tests | 3 | 90 | 93 | ||||||
(*)The information in the planning table is for guidance only and does not take into account the heterogeneity of the students. |
Methodologies |
Description | |
Personal tuition | |
Lecture |
Personalized attention |
|
|
Assessment |
Description | Qualification | ||
Mixed tests | 100% | ||
Other comments and second call | |||
Sources of information |
Access to Recommended Bibliography in the Catalog ULE |
Basic |
Gil Ares, J., Padilla Moledo, C. y Torrents Martín, C. (ed. lit.) , Artes escénicas para transformar la educación y la sociedad, , 2020 Noverre, Jean Francois, Cartas sobre la danza y los ballets, Estéban Sanz, 2003 Laban, Rudolf Von, Danza Educativa Moderna, Paidós, 1978, 1994 Rivera, Alfonso, El camino del actor a través del entrenamiento psicofísico, Antígona, 2017 Brozas, La construcción conceptual de la expresión corporal en la teoría teatral, Universidad de León, 1996 Brozas, Maria Paz, Los objetos: recursos pedagógicos en Expresión Corporal, Apunts Educación Física y Deportes 40, 34-38, 1995 VVAA, Monográfico Expresión Corporal, Retos, 2013 Barret, Gisèle, Pedagogía de la Expresión Dramática, Recherche en Expression, 1991 |
Complementary |
, , , Ross, Janice, Anna Halprin. Experience as dance, Simpson, 2007 Brozas, Maria Paz (coord.), Cuerpo, imagen y expresión. Entre la creación artística y la intervención educativa, Universidad de León, 2006 Cohen, El taller de danza , Plaza & Janés, 1989 Bernard, André; Steinmüller, Wolfgang; Stricker, Ursula, Ideokinesis. A Creative Approach to Human Movement & Body Alignment, North Attlantic Books, 2006 Braun, Madeleine, Io danzo! Gesto, espresione, movimento dopo i 60 anni, MPe, 2012 Brozas, Maria Paz, La accesibilidad en la danza Contact Improvisation , Arte y Movimiento 8, 2013 Maraña, Covadonga, La danza como elemento integrante de la educación europea en los siglos XV y XVI, EFDeportes. Revista digital 166, 2012 Sánchez, Galo; Coterón, Javier (Eds.), La expresión corporal en la enseñanza universitaria, Universidad de Salamanca , 2012 Sanchez, Gery, Le cirque et la danse, Hors le Murs, 2010 Brozas, María Paz, Los espacios como dispositivo de la construcción de prácticas corporales y coreográficas contemporáneas. A propósito del contact improvisation en el contexto español, Revista de Dialectología y Tradiciones Populares vol. LXXII n.2, 2017 Robert, Peter, Mimo: el arte del silencio, Ttartalo, 1990 Louppe, Laurence, Poética de la danza contemporánea, Universidad de Salamanca , 2011 Olsen, Andrea, The place of dance. A somatic guide to dancing and dance making, Wesleyan University Press, 2013 |
Recommendations |